Come see what’s up with MSA!

 

You can visit the studio and members during the First Friday (6-9 p.m. April 6 ) and Second Saturday (10 a.m.-3 p.m. April 14) open studio events. You can also stop in at other times – members are at work almost every day! Call 585-233-5645 to make sure someone is “home.”

 

Meanwhile, please check out our website (www.mainstreetartistsgallery.com) and be sure to LIKE us on Facebook! 

 

 

The Main Street Artists will once again present an exhibit at the Patricia O'Keefe Ross Art Gallery in the Joseph S. Skalny Welcome Center at St. John Fisher College. The show is open weekdays June 4-July 6; a reception takes place 6-7:30 p.m. June 8. 

 

 We artists are a sensitive bunch. Sensitivity serves us well in creating and expressing our art, but there is a flip side. When we display our art to the public, whether at shows or on social media, we become vulnerable to all types of criticism or worse, ambivalence. It can be difficult to receive negative feedback or silence without feeling slighted. When the source of these comments is close friends, family members, or other artists, we may feel especially hurt and insulted.

 

  So what’s an artist to do? Can we expose our artistic expressions and remain unphased by the negative reaction of others? Though this can be a challenge, I have found a few ways to help keep hurt feelings in check and build self-esteem.

 

     1. Take specific actions to improve your confidence and pride in all you have accomplished. Draw or paint on a frequent basis. Attend classes to improve your skills. We are fortunate that the Rochester art community is a rich resource for art education in all media. Consider submitting your work for exhibition. There is joy in knowing that people are looking at your work, even if no sale takes place. Although your art won’t please everyone, that is OK. The most important person you need to impress is you.

  2. Accept that there could be myriad reasons why friends, peers, or family don’t acknowledge your work. Perhaps they are struggling with their own work, or are facing personal health and family challenges. Chances are the reason has nothing to do with you or their perception of your work

3. Join an art group in your community. You will meet fellow artists who appreciate your work and offer constructive criticism. Group artists are very supportive of each other, and often suggest new techniques for improvement and opportunities to exhibit. Significantly, fellow artists know firsthand what it’s like to put their art on display and can help you overcome self-doubt and insecurity

Gaining self-confidence and overcoming insecurity takes time, but it can be achieved. Be patient with yourself and others and generous with the folks who support you and your goals. You will come to recognize and appreciate your unique talents without fear of being judged by others

-Andrea Nadel

I have the luxury of being a painter, and I specialize in portraiture. I have painted portraits for others of their deceased loved ones where there is no emotional attachment for me. What is it like to paint your own deceased loved one?

 

I recently completed an oil portrait of my dad, who passed way in September of 2017. I spent sixty-four of my dad’s eighty three years either with him or knowing he was only a phone call away. I have lost grandparents before but this was the first time losing a parent. He was not the parent I thought I would lose first.  And it was hard. To this day I still find it hard to believe he is gone.

 

My impetus to paint my dad’s portrait was as a gift for my brother. I had done a colored pencil of my dad many years ago and that has gone to my sister.  Perhaps it was easier to begin the process of this painting because it was a gift, not solely for me.

 

I chose the photo we used for my dad’s obituary as my reference. It was a fairly recent image of him and we all liked it. I selected my surface, gathered my paints and brushes and got to work.

 

Rather than doing a preliminary sketch I decided to just draw with my paintbrush directly onto the canvas. His face was so familiar to me after all. I must admit the likeness came fairly easily.

 

Interesting things happened.  Was his face always this ruddy? My dad lived in the Atlanta area and played tennis year round practically, whether it be cold or blazing hot. His skin had been subjected to much sunshine. I can’t say the same for mine living in Rochester. As I painted I saw resemblances and shared family features with my siblings, my paternal grandparents, and myself. The process was becoming a history lesson of sorts. It was a study in genealogy.  It was constant discovery.  Each day of painting was a joy rather than grief. It really was cathartic.

 

As I painted I began to ‘talk’ with my dad (in my head of course, although if I was alone in the studio I am not so sure that I didn’t talk out loud sometimes without knowing it). I relived memories, conversations my dad and I had had over the years, and of course as with all of us, had some regrets.  It was quite an experience.

 

I enjoyed the process so much that I now intend to paint my Grams (my maternal grandmother with whom I was extremely close) and maybe even my late first husband, Doug.  I have painted Doug as part of paintings for each of my children but never as a sole portrait. This one will be really hard but after this past experience might be well worth it.

 

I know there are many others who have painted portraits of their deceased loved ones in the past, and are in the process of doing so now but I wanted to share my experience.  My studio mates of the Main Street Artists were very encouraging as they always are. I am truly grateful to be surrounded by wonderfully supportive friends. Thank you all!q

 

For commission inquiries please contact me at suzizeftingkuhn@gmail.com

Building on failure

 

In 1993, when I took my first watercolor painting class at the Memorial Art Gallery, we all wondered how long it would take to get good at this. The teacher, local artist Wendy Gwirtzman, told us our discard pile might be way over our heads before we felt satisfied with our work.

            In other words, maybe never.

            I’ve persevered, had some successes, won some prizes. But lately I’ve been in a terrible slump, painting almost every day but feeling like I have no idea what I’m doing, making rookie mistakes, covering pristine watercolor paper with mud. On the plus side: The discard pile keeps getting taller.

            If you wonder what I’m talking about, take a look at What’s Wrong with this Picture?, which accompanies this post. I’ve struggled with this thing for several months, no kidding, and at this point I believe any future it has lies in the recycling bin. If you have any helpful comments, please send them along. (I’m open to cutting and saving bits and pieces – always a possibility with watercolor.)

            I decided revisiting past projects might be a way to jump start my creative battery. First I dug through my “works in progress” drawer and immediately moved a bunch of these to that growing discard pile. I realized that some projects have been sitting around for more than two decades. I’ve long forgotten the inspiration.

            I moved a couple to the top of the “possible” pile; one is currently in the active category. I’m hopeful; perhaps I now have the skills to complete it.

            Finally I opened a dusty portfolio of paintings that I had once considered complete but had never framed. One in particular seemed, well, pretty nice. It’s a watercolor on rice paper, a technique we experimented with in one of Wendy’s classes years ago. The rice paper is glued onto heavy (300 pound) watercolor paper and the picture is painted on top. Fine detail is not possible, but you can get a pleasant misty, dreamy affect. I did a little more work on it, and the result is One Pine Day, which accompanies this post. It’s now attractively matted, framed and hanging at the Main Street Artists gallery/studio.

            My spouse likes it, and several friends had kind comments, which made me feel better. I am not ready to throw away my paints and brushes! Ever the optimist, I’m sure my next attempt will be better, maybe even sort of good. In any case, I remind myself, for me the joy of painting is the process, not necessarily the result.

            Stay tuned . . .

– Kathy Lindsley

Snow Cone, watercolor

One Pine Day,  watercolor

I recently painted a small wooden Christmas star that a studio associate gave me and had another associate inscribe the word “Imagine” on the front.  I’ve been looking at this word for a few weeks now and thought of what an impact this word had on me. I began to visualize what those individual letters meant as far as my artwork was concerned.

I=image:  “To form a mental image and then support it.”

M=meaning:  “That which is actually expressed or indicated.”

A=action:  “An act that one consciously wills or acts upon.”

G=give:  “To set forth or show without expected compensation.”

I=instinct:  “A natural or innate impulse to action.”

N=natural:  “Growing spontaneously.”

E=effect:  “Power to produce results.”

I have produced many paintings but never really reflected on the process of how everything moves forward from the onset of creating the painting until I saw this word. What is the first thing you do, or should do, prior to putting paint on paper? You investigate and form a mental image of the piece you want to paint and then support it with a brief sketch. You then take the image and actually bring meaning or life to it. Then consciouslyact on it by placing that concept on paper or canvas. You create your image and finish it without expected compensation (to receive compensation of course would be appreciated!). 

I have always had a naturalimpulseto action when I paint an image that has great meaning for me – such a memorable vacation photo, a place of beauty I have visited, etc. Those paintings come easier for me because of that deep meaning and wonder about them.  And because of continuously urging myself to do better I begin to grow spontaneously without given thought.  Thus the power to produce better results is done without hesitation.

I am continuously inspired and supported every day by my Main Street Artists studio mates. Their supportive words give me strength and the drive to go forward.  

– Gabriele Lodder

 

We are entering the holiday season with all its hustle and bustle. We are all busy in the studio preparing for the Hungerford’s holiday hours. As I type this my studio mates are decorating with all the bright and shiny things. I am not immune. 

 

We know our Saturdays will be here spending time with our customers and visitors. It’s always fun to meet new people and visit with old friends. I truly enjoy meeting people that are discovering the Hungerford for the first time. We’ve been talking a lot about this lately. The Hungerford is one of those unique places where you can buy a gift for someone that is handmade and will hold special meaning to the receiver. Most of us will do work on commission but at this point if you want a holiday gift it will have to come off the wall. We have plenty to choose from. It is especially satisfying when our art speaks to someone in a way that makes them want to take it home or give it as a gift.

 

It may be busy but, thankfully, I have my painting that helps to center me. I am trying to paint through all the craziness that is starting to descend. I still have four paintings in various stages of progress. There is something very calming about tuning out the real world and applying color to canvas. It’s meditative. It is calming.

 

I hope that you can find a peaceful centering spot in the midst of all the celebration. I hope that you will join us at the Hungerford for your holiday shopping. Most of all, I hope that you enjoy your holiday season with family and friends.

 

Happy New Year.

 

Peace,

– Christine D. Norris